But it was subversive, destroying our would-be final girl with a knife through the back halfway through the film ala Psycho and letting the lone survivor be cast as male (yup, in Australia, the final girls are boys and the toilets flush backwards). It had slasher tropes: a death-by-numbers set up, a don’t-go-in-the-woods vibe set in the Outback, and an enigmatic killer in Mick Taylor (John Jarratt) that both charmed and horrified audiences. Wolf Creek undermined our classic genre expectations, and leaned into the torture porn genre that was gaining traction with the likes of Saw (2003) without going full Hostel (though they came out the same year). It was just all out horror, and genre fans were all in. No wayward Santas being murdered behind shopping malls on smoke breaks. No twinkle lights hinting at holiday splendor behind the madness.
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And this isn’t even close to a Christmas movie – not even in the way Die Hard is a Christmas movie. Keep in mind, this released on December 25th – Christmas weekend. RELATED: TV Recap & Review: ‘The Stand’ Season 1 Episode 2 – “Pocket Savior”Īnd so, Wolf Creek came out fifteen years ago with a bullet, almost tripling its budget on opening weekend with close to $3 million gross. He needed something to elevate his tired story to greatness – and he would soon come upon that with the closure of the Backpacker Murders trial. But, as many aspiring artists know, getting it done and getting it done right are two very different things. Shouldn’t slashers just work? By the late ‘90s, there was something fundamental about the structure.
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He couldn’t grasp what was missing from his classic genre tale with an Aussie twist. Back in 1997, McLean wrote a beat-by-beat slasher, set in the Outback, but he was unhappy with his original incarnation of the story. It may be hard to imagine now, but the original Wolf Creek ( 2005 ) script looked very different from the film we have come to know as full on franchise material now.